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Apple iTunes

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Apple iTunes
Apple iTunes

Apple iTunes



Weezer - The Red Album

“I’m a troublemaker/ Never giving up,” sings lead singer Rivers Cuomo on Weezer’s latest effort, The Red Album. This is a fitting introduction to Weezer’s sixth album.  Not only have they not given up, but they are also still making great music. Their ironic sense of humor and musical intricacy are still in top form on every track. Throughout the record, they combine the catchiness of pop with the weirdness of alt-rock, producing an extremely satisfying and quirked-out pop rock album. The most interesting song on the album is “The Greatest Man That Ever Lived,” which begins with a piano solo straight out of a church hymn. Cuomo croons in his sweetest falsetto mid-way through the song, and moments later he raps “I’m the baddest of the bad” over sounds of sirens and hip-hop beats.  The song has multiple-personalities, but it all works, especially when they break into full-throttle rock out form. The well-read Weezer even quotes Hamlet on this track, evoking Mr. Shakespeare when they sing, “Somebody once said that life is but a stage.”

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Mulatto

A six piece all male band from Long Beach, California, Mulatto aims to blend their many influences ranging from rock and jazz to pop and soul. The soft crooning of lead vocalist Diondre Tribble, backed by the peaceful harmonies of his band mates, is on full display with the saxophone-heavy jam, "Remedy." As many of their songs revolve around women, the multi-ethnic sextet seem to share a common ground. And although they tend to feel more comfortable producing smoother, lighter tracks, the band is unafraid to experiment with some heavy distortion and thrashing guitar solos like in their breakthrough feel good song, "Dreamland." Mulatto's unabashed experimentation and boldness mirrors the unmistakable freedom and levity of summer.

-Noah Gorksy 

 
Ratatat - LP3
Once known for atmospheric instrumental rock driven by live guitars and a drum machine, Ratatat switches things up for LP3. Recording in Old Soul Studios out in the Catskills they stumbled on a variety of keyboard instruments including a grand piano, harpsichord, mellotron and Wurlitzer which they make full use of here. Filled with icey synth sounds and harpsichord, "Shiller" could be right off of the Marie Antoinette Soundtrack. As it plays on they bring in the guitar and the guiro until it seems you are being lead through a tunnel. 
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Vetiver - Thing Of The Past
Sure, Thing of the Past is a cover album, but let's not use that term. Andy Cabic prefers to call it his "mixtape to the world," so why not? The album succeeds at sounding like something given to you by a good friend, provided that friend, like Cabic, spends much of his time combing the shelves of thrift shops for old, spectacularly obscure country/folk recordings. Case in point: "Sleep a Million Years," which serves as the poster song and showpiece for the album. It's a nugget.
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Jay Reatard - Singles 2006-2007
For those who don’t want to scour Ebay for all of the originals, In the Red Records has released a collection of Jay Reatard’s songs from 2006 and 2007, aptly titled Singles 2006-2007. Reatard, known for his work with The Reatards and Lost Sounds, rivals Ryan Adams with the amount of the songs he has put out. The Memphis native relies on the punk credo of short, fast paced songs with only one of the 17 songs on the album being over three minutes long. With such a compact stretch of time he manages to keep things interesting.

Some songs like “Nights of Broken Glass” (complete with shattering sound) are straight punk with shout out choruses and fast guitars. Others like the synthesizer filled “Another Person” have a new wave influence while on “All over Again” he throws in a little surfer beat. Songs like the 60s garage rock of “Hammer I Miss You” and “In the Dark” which sounds like he is screaming in a closet (perhaps explaining why he is in the dark) benefit from his lo-fi style.  With faux British accent in tow, Reatard kisses off a girl who can’t seem to make up her mind on “Let It All Go” and will undoubtedly have us all trying to impersonate his impressive vocal slide as he screams, “It’s too late.” Whether he is channeling Skeletor on “It’s so Useless” or getting a little sensitive on “Searching for You” Reatard is worth a listen for anyone looking for a little old fashioned punk in their life.

- Shannon Carlin
 
This is Love Psychedelico

Kumi and Naoki Sato, the Tokyo superstar duo have spent quite a bit of time lately positioning themselves to be one of the first J-pop bands to break into the American mainstream. They've toured extensively throughout the heartland, and lyricist Kumi, who spent part of her childhood in San Francisco, crafts English lyrics that say more than the typical slogans spouted by most of her Japanese compatriots. "I wanna be cowgirl," she sings on "These Days." This is Love Psychedelico, their first American release, intends to set their down roots permanently in the Wild West, and it's a heady land claim.

The twosome has always known their riders, and the resulting sixties pop song-craft, with smatterings of R&B, has gone over huge in Japan. Many of the album's songs, including "Lady Madonna" (U-Utsu-Naru 'Spider')," their biggest hit in Japan, recall the poppy-yet-abrasive anthems of Tuesday Night Music Club-era Sheryl Crow. There's no doubt, despite the infusion of Sato's impressive guitar work, especially the garage-rock licks on "Fantastic World," that Kumi's infatuation with the riot-grrrl legacy is what's driving the day. "Everybody Needs Somebody" is vintage Joan Jett, and on tracks like "Unchained" and the pretty "Your Song" pays nods to Sleater-Kinney and other '80s-era female-driven rock. Kumi's not a belter, but her voice flaunts a kaleidoscope of textures, ranging from J-pop sweet to sex-kitten growls.      

The real rub, of course, especially for a band that's so obviously striving for the all-American dream, is that Tokyo's beloved "Delico" are still at their best when they're throwing out all the J-pop stops. "My Last Fight" and especially "Last Smile," have hooks as big and beautiful as Mt. Fuji, ready-made for the closing credits of "InuYasha." It's the only thing they're doing that nobody here is, and it's worth making room for.

- Claire Shefchik

 

 
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