The title of I’m Through with White Girls seems evident enough: so there’s this guy, and there are all these white girls, and he decides to stop dating them. Wrong.

I’m Through with White Girls is more than your average hipster film, chronicling one black man’s quest for true love in a racial context. As winner of the 2007 Best Film Award at the American Black Film Festival, The Jury Award for Best Narrative Feature Film at the Hollywood Black Film Festival, and the Bahamas International Film Festival New Visions Award for an Emerging Artist, all presented to director Jennifer Sharp, I’m Through with White Girls merges the humor of a comedy and the depth of a documentary.

James Spooner’s White Lies, Black Sheep (shown at BAM during the Afro-punk festival) tells the story of a black party promoter who has found his niche in the white indie rock scene. Effortlessly cool, AJ hops from club to club in his tight hipster jeans, handing out fliers and flirting with girls. His race is a virtual non-issue with his friends, something that AJ all-too readily embraces. However, as the movie progresses, it becomes clear that AJ, along with his friends, has willfully pushed aside his “blackness” for the sake of comfort and convenience. Through a series of interviews and candid shots, Spooner invites the audience along AJ’s journey of self-realization, and in doing so effectively engenders us to AJ. Spooner’s filmmaking shines in its subtlety, and in the gentle attention he pays to detail and to his characters. One such character is AJ’s father, a tough English African who affectionately forces The Autobiography of Malcolm X on AJ, in order to better connect him with his roots. Their scene together is touching, particularly when Spooner is invited from behind his camera to join them in prayer.

Yes, but Full Grown Men differs from Sideways in a few key areas. For one, this film's traveling twosome entertain no pretensions of being grown-ups. Instead of stopping off at a series of upscale wineries, Alby (Matt McGrath, The Broken Hearts Club: A Romantic Comedy) and Elias (Judah Friedlander, "30 Rock") have set their sights on Diggetyland, a Central Florida kiddie mecca. Along the way, Alby is determined to prove to his wife and son that he's matured by tracking down a taker for his battered suitcase full of Action Jackson figurines.

Many things have changed in the Harlem ball culture since Jennie Livingston's Paris is Burning first documented it in 1990. The mainstreaming of fringe practices, and the toll AIDS has taken on many of the community's pioneers, have all had, whether for better or worse, an irreversible effect. How Do I Look, the new film directed by Wolfgang Busch, has its task cut out for it. The film has to not only introduce and capture the excesses and inscrutably close-knit family ties of the balls and various "houses" who give them their breath of life, but also chronicle the various run-ins and growing pains the community has had to deal with since its early days.

It seems like Indy has done it all, from retrieving the Arc of the Covenant, to saving an Indian village, and even saving his own father. So when it came time for a fourth movie, what was left for him to do? Not much – which is just what this highly-anticipated film is worth.

Set in the 1950's, Indiana Jones' (Harrison Ford) newest adventure begins in a Southwest desert where he narrowly escapes from Soviet agents and also a nuclear testing site. Indy returns to the college he teaches at, only to find he has been fired due to his recent activities. On his way out of town, Indy meets Mutt (Shia LaBeouf). Mutt propositions Indy to help him on a mission to find his mother and, in the process, potentially make one of the most spectacular archaeological finds in history -- the Crystal Skull of Akator.

As Indy and Mutt set out for the Peru, they soon realize they are not alone in their search. Soviet agents are also hot on the trail of the Crystal Skull. Chief among them is Irina Spalko (Cate Blanchett), whose elite military unit is searching the every corner of the earth for the skull, which they believe can help the Soviets dominate the world.