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“I’m a troublemaker/ Never giving up,” sings lead singer Rivers Cuomo on Weezer’s latest effort, The Red Album. This is a fitting introduction to Weezer’s sixth album. Not only have they not given up, but they are also still making great music. Their ironic sense of humor and musical intricacy are still in top form on every track. Throughout the record, they combine the catchiness of pop with the weirdness of alt-rock, producing an extremely satisfying and quirked-out pop rock album. The most interesting song on the album is “The Greatest Man That Ever Lived,” which begins with a piano solo straight out of a church hymn. Cuomo croons in his sweetest falsetto mid-way through the song, and moments later he raps “I’m the baddest of the bad” over sounds of sirens and hip-hop beats. The song has multiple-personalities, but it all works, especially when they break into full-throttle rock out form. The well-read Weezer even quotes Hamlet on this track, evoking Mr. Shakespeare when they sing, “Somebody once said that life is but a stage.” |
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Concerts
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Allà (pronounced i-yah) came to New York for the first time on July 9th to perform at Joe’s Pub. The Pub’s lounge vibe went nicely with the psychedelic sounds of the Mexican-American Chicago band. Drummer Angel Ledezma brought intense vitality to the stage, while singer Lupe Martinez used her feminine vocals to explicate passion with a slightly calmer tone. Jorge Ledezma eloquently thanked the unfortunately sparse audience for their support, and the overall musical energy of the room was great. |
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A six piece all male band from Long Beach, California, Mulatto aims to blend their many influences ranging from rock and jazz to pop and soul. The soft crooning of lead vocalist Diondre Tribble, backed by the peaceful harmonies of his band mates, is on full display with the saxophone-heavy jam, "Remedy." As many of their songs revolve around women, the multi-ethnic sextet seem to share a common ground. And although they tend to feel more comfortable producing smoother, lighter tracks, the band is unafraid to experiment with some heavy distortion and thrashing guitar solos like in their breakthrough feel good song, "Dreamland." Mulatto's unabashed experimentation and boldness mirrors the unmistakable freedom and levity of summer. -Noah Gorksy |
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Once known for atmospheric instrumental rock driven by live guitars and a drum machine, Ratatat switches things up for LP3. Recording in Old Soul Studios out in the Catskills they stumbled on a variety of keyboard instruments including a grand  piano, harpsichord, mellotron and Wurlitzer which they make full use of here. Filled with icey synth sounds and harpsichord, "Shiller" could be right off of the Marie Antoinette Soundtrack. As it plays on they bring in the guitar and the guiro until it seems you are being lead through a tunnel. |
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Sure, Thing of the Past is a cover album, but let's not use that term. Andy Cabic prefers to call it his "mixtape to the world," so why not? The album succeeds at sounding like something given to you by a good friend, provided that friend, like Cabic, spends much of his time combing the shelves of thrift shops for old, spectacularly obscure country/folk  recordings. Case in point: "Sleep a Million Years," which serves as the poster song and showpiece for the album. It's a nugget. |
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Concerts
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Lead singer Sabina Sciubba of the Brazilian girls strutted onto the Prospect Park bandshell stage this past Friday night twirling a white parasol. And, the parasol was only the beginning of the weird fun that was to come. Pictures of craters were circulating on the giant screens behind the band as Sciubba called out to the crowd “Come with us!” And the otherworldliness of keyboardist Didi Gutman’s pulsating hip-hop beats were nearly hypnotizing to the audience, who were on their feet as soon as the show began. The craters, the parasol, and Sciubba herself had set the scene for their international otherworldly fiesta. |
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