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No Alternative: The BEST of Grunge!
Steeped in Seattle rain and opiates, grunge bands were primarily inspired by punk rock. Seattle enjoyed its own brief punk scene in the late ’70s and early ’80s after the Ramones played at the Olympic Hotel ballroom; following this, a new league of bands, which included the Melvins (originally from the rural logging town of Aberdeen, like Nirvana to come), took punk rock and incorporated metal to create a new sound. This melodic merging of punk and metal, along with distortion and fuzz, dark themes, quirky lyrics, guitar solos, muted or screamed vocals, and an overall nitty-gritty quality became the formula for “grunge,” while ripped jeans, thrift store finds, Doc Martens, and emblematic flannel shirts became requisite attire. Grunge was about mismatched patterns and moods, a throwback to the counterculture of the ’60s—long hair and anti-fashion trends complemented the music as one aesthetic element of the Generation X plight (poor economics, divorced families) and Northwestern weather.

Grunge bands formed a rather tight knit group, but, despite being lumped together into one musical genre and one primary location (although several grunge bands were not actually from Seattle), every band produced its own distinct sound. Malfunkshun, for instance, was described as having melded “hardcore punk and the excesses of Seventies glam rock,” while Soundgarden borrowed from Zeppelin and Black Sabbath. Notwithstanding differences in sound, these bands collectively spoke for and represented the jaded youth generation, and thus created a subculture through which kids could feel a sense of personal connection and identity.
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No Alternative: No Love for Courtney

In some ways, you gotta respect Courtney Love for her outright bitchiness and defiance of convention (or common sense). I mean, she set out to become a famous “rockstar” and actually made it happen, despite the fact that she stepped on or bit off of plenty of more talented people along the way (Rozz Rezabak, Julian Cope, Jennifer Finch, Billy Corgan, obviously Kurt Cobain, the list goes on).

Love started Hole with the intentions of creating gusty grrrl rock. After a turbulent and troublesome childhood and a few transitory teenage/early-20s years involving herself in music scenes (by proxy) and also attempting to make it as an actress (she played a small role in Sid and Nancy), she moved to the West Coast and set her sights on situating herself in the underground music scene. Though Hole’s debut album, Pretty On The Inside, was well received in 1991, it was only after her romance with and eventual marriage to Nirvana’s Kurt Cobain that Love and Hole received significant media attention.

With Cobain's help/influence, Hole's second LP, Live Through This, released in the pivotal year of 1994 (just four days after Cobain’s body was discovered in Seattle), proved to be an album with serious teeth. Feminine symbolism (flowers, babies, milk) juxtaposes gritty grunge-punk riffs and combative vocals (especially on “Gutless!”), which exude a masculine sense of power, sexuality, and confidence along with a feminist fuck-you attitude. Truly a triumph for Love and an inspiration to all real grrrls; the record to date has achieved worldwide double platinum status (having sold 2 millions copies).

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